Subscribe to FIM Newsletter
Everything you must know to travel with a musical instrument: click here!

ILO | Working paper on social protection in the CCS

ILO Working paper on social protection

First pub­lished on the ILO website

This Working Paper is based on the ILO Centenary Declaration for the Future of Work, 2019, which calls on the ILO to direct its efforts to “devel­op­ing and enhanc­ing social pro­tec­tion sys­tems, which are ade­quate, sus­tain­able and adapt­ed to devel­op­ments in the world of work.”

In par­tic­u­lar, the paper reviews pol­i­cy and legal frame­works in select­ed coun­tries that have pur­sued spe­cif­ic solu­tions to extend social secu­ri­ty in the cre­ative and cul­ture sec­tor, in order to iden­ti­fy entry points and mech­a­nisms for expand­ing cov­er­age. Policy options ensur­ing the ade­qua­cy and the sus­tain­abil­i­ty of such sys­tems are dis­cussed, tak­ing into account par­tic­u­lar employ­ment cir­cum­stances in the sec­tor, such as fluc­tu­at­ing employ­ment sta­tus, irreg­u­lar incomes, inter­mit­tent nature of work, and geo­graph­ic mobility. […]
Read full post

Covid-​19 | Impact on the music sector

The con­se­quences of the Covid-​19 pan­dem­ic on the music sector

(Argentina, Brazil, Canada, Costa Rica, Finland, France, Germany, Indonesia, Italy, Japan, Kenya, the Netherlands, Spain, United Kingdom, United States, Zimbabwe)

Download full arti­cle in PDF

1. Assessment of gov­ern­ment restric­tions imposed on the music sector

The first sec­tor to have suf­fered from gov­ern­ment restric­tions, the per­form­ing arts will also be the last to resume nor­mal activ­i­ty. In most coun­tries, all music sec­tors are affect­ed (pro­duc­tion, con­certs, per­for­mances, dis­tri­b­u­tion, exploita­tion, audio­vi­su­al, broad­cast­ing). Only stream­ing can main­tain a cer­tain lev­el of activity.

• In France, after rough han­dling as a result of the “yoyo” effect of the health pro­to­col (half-​capacity seat­ing, ear­li­er times due to the cur­few), show venues final­ly had to close on 30 October last. […]
Read full post

FIM pays tribute to John Morton (1925−2021)

Hardie Ratcliffe and John Morton at 8th FIM Congress

Photograph: Hardie Ratcliffe (left) and John Morton (right) at the 8th FIM Congress (1973)

John Morton was born in 1925 in Wolverhampton into a mod­est fam­i­ly. As a child, he took piano lessons before leav­ing school at the age of four­teen to become an appren­tice print­er. He then joined a group of swing musi­cians, a genre much in vogue dur­ing the for­ties. As a mem­ber of the musi­cians’ union from 1946, he soon became branch sec­re­tary and mem­ber of the Executive Committee. During this peri­od, he was in par­tic­u­lar involved in nego­ti­a­tions with the cin­e­ma indus­try and broadcasters.

Subsequently, he taught indus­tri­al rela­tions at Solihull College before suc­ceed­ing Hardie Ratcliffe as the union’s General Secretary in 1971. […]
Read full post

Music competition launched to raise awareness of child labour

Young Indian musicians

The com­pe­ti­tion aims to har­ness the pow­er of music to help com­bat child labour, which affects 152 mil­lion chil­dren worldwide

The Music Against Child Labour Initiative, which brings togeth­er musi­cians to raise aware­ness of child labour, is launch­ing a song com­pe­ti­tion on 3 February 2021 to mark the UN International Year for the Elimination of Child Labour.

Musicians of all gen­res are invit­ed to sub­mit a song to inspire gov­ern­ments and stake­hold­ers to take action to elim­i­nate child labour, which affects near­ly 1 in 10 chil­dren worldwide.

While child labour has decreased by almost 40 per cent over the last two decades, the COVID-​19 pan­dem­ic threat­ens to reverse that progress. […]
Read full post

Instruments aboard planes: Easyjet toughens up on its rules

Travel uodate image

On 10 February 2021, Easyjet is plan­ning to imple­ment new rules for trans­port­ing music instru­ments aboard its aircraft.

Currently, an Easyjet pas­sen­ger can keep an instru­ment aboard as hand lug­gage, pro­vid­ed the dimen­sions do not exceed 30×120×38 cm. More favourable than on most oth­er European air­lines, these lim­its placed Easyjet up to now as one of the rare com­pa­nies on the con­ti­nent offer­ing musi­cians accept­able con­di­tions for trans­port­ing their instru­ments (North American-​based com­pa­nies have for sev­er­al years applied even more favourable provisions).

The new max­i­mum dimen­sions of 56×40×25 cm, applic­a­ble from 10 February next, are less than the size of a vio­lin in its case. […]
Read full post

EU | Status and working conditions in the creative sector

EU Commission logo

The DG EAC of the European Commission is pub­lish­ing a study on work­ers in the European cre­ative sector

According to the Commission, this study, com­mis­sioned from the European Expert Network on Culture and Audiovisual (EENCA), comes with­in the scope of objec­tives for the New European Agenda for Culture adopt­ed in 2018. Among the aims is help­ing the Member States ensure fair remu­ner­a­tion for work­ers in the cre­ative sec­tor through social dia­logue and the imple­men­ta­tion of an ecosys­tem favourable to such work­ers. Efforts in this direc­tion are cur­rent­ly being made by cer­tain states with­in the scope of the Open Method of Coordination (OMC) with regard to sta­tus and work­ing con­di­tions for artists and cul­tur­al and cre­ative professionals. […]
Read full post

Belgium | ONB sentenced for breaching musicians’ neighbouring rights

Orchestra photograph

In a joint press release issued on 20 October 2020, Belgian unions CGSP Culture & Media, CSC-​ACV Transcom and SLFP-​VSOA wel­comed with sat­is­fac­tion the court deci­sion order­ing the dis­tri­b­u­tion by the Belgian National Orchestra (ONB) of video record­ings unau­tho­rized by musi­cians to be stopped.

Negotiations had tak­en place between the orches­tra man­age­ment and unions over the amount of remu­ner­a­tion to be paid to musi­cians in exchange for the trans­fer of their exclu­sive rights. After the fail­ure to reach an agree­ment, the ONB decid­ed uni­lat­er­al­ly to make sev­er­al video record­ings avail­able to the pub­lic with­out the pri­or autho­ri­sa­tion of the musi­cians and their unions, for a lump-​sum remu­ner­a­tion arbi­trar­i­ly fixed at €600. […]
Read full post

Argentina | Demise of María Laura Vigliecca

Laura Vigliecca

The Argentinian union SADEM and the Latin American group of FIM are in mourn­ing after the demise of María Laura Vigliecca, mem­ber of SADEM’s man­age­ment and pres­i­dent of OSDEM (Obra social de músicos).

A long-​time trade union­ist and a com­mit­ted fem­i­nist, María Laura par­tic­i­pat­ed in sev­er­al FIM meet­ings in Latin America, bring­ing her ener­gy, expe­ri­ence and excep­tion­al charis­ma. In October 2018, her pres­ence at the FIM region­al con­fer­ence ded­i­cat­ed to the rights of female musi­cians (Montevideo) sig­nif­i­cant­ly con­tributed to the suc­cess of this event.

FIM pays trib­ute to her mem­o­ry and extends its heart­felt con­do­lences to her fam­i­ly, friends and col­leagues at SADEM.

1 4 5 6 7 8 44
Share This