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⚠️ Croatia | Scandalously low salaries at the HRT Orchestra (SOHRT)

SOHRT Symphony Orchestra – Photo by Jasenko Rasol

Photo © Jasenko Rasol

This shock­ing sit­u­a­tion resounds beyond the bor­ders of Croatia: the wages of the musi­cians of the Croatian Radio Symphony Orchestra (SOHRT) are entire­ly out of step with their lev­el of qual­i­fi­ca­tion, the artis­tic demands of their mis­sion and the very high tech­ni­cal­i­ty required for the jobs concerned.

Musicians are clear­ly mar­gin­al­ized in the salary scale of Croatian Radio (HRT) staff. While the orchestra’s soloists are recruit­ed via hyper-​selective inter­na­tion­al audi­tions, they are paid at the lev­el of a young, inex­pe­ri­enced journalist.

The com­par­i­son with the clos­est orches­tra in terms of rep­u­ta­tion and excel­lence – the Zagreb Philharmonic Orchestra – is clear: a SOHRT tut­ti play­er earns 40% less than their Philharmonic coun­ter­part. […]
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Senegal | First collective agreement in the music sector!

Signature of collective agreement between AMS and Le PhareWe are par­tic­u­lar­ly delight­ed to announce the sign­ing of the first col­lec­tive work­ing agree­ment between Senegal’s Association des Métiers de la Musique (AMS, FIM mem­ber) and Le Phare des Mamelles estab­lish­ment in Dakar on 19 January 2024.

This agree­ment is the fruit of sev­er­al years of dis­cus­sion between the AMS and a hand­ful of estab­lish­ments employ­ing musi­cians on a reg­u­lar basis. An icon­ic venue in Dakar, Le Phare is the first estab­lish­ment to have tak­en the plunge since the 2020 Act insti­tut­ed the pre­sump­tion of salaried sta­tus for artists and tech­ni­cians in the per­for­mance sector.

This col­lec­tive agree­ment marks an impor­tant step for work­ing rela­tions in the music sec­tor. […]
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75th anniversary of the International Music Council

IMC five music rights (English)FIM con­grat­u­lates the International Music Council (IMC) on its 75th anniversary!

Founded in 1949, the IMC cam­paigns tire­less­ly for uni­ver­sal access to music through five “music rights”:

The right for all chil­dren and adults:
 — To freely express them­selves musically;
 — To learn musi­cal lan­guages and skills; and
 — To have access to musi­cal involve­ment through par­tic­i­pa­tion, lis­ten­ing, cre­ation and information.

The right for all musi­cal artists:
 — To devel­op their artistry and com­mu­ni­cate it through all media, with prop­er facil­i­ties at their dis­pos­al; and
 — To obtain just recog­ni­tion and fair remu­ner­a­tion for their work.

FIM thanks the IMC and its team for their remark­able efforts to pro­mote musi­cal prac­tice and respect for the cre­ative work of music professionals. […]
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CLIP: Creators Learn Intellectual Property

CLIP: Creators Learn IPCreators around the world are pro­duc­ing music, art and oth­er con­tent at record lev­els, and dig­i­tal dis­tri­b­u­tion is soar­ing. But cre­ators often lack crit­i­cal infor­ma­tion for man­ag­ing their IP rights. This is why WIPO for Creators cre­at­ed CLIP, in part­ner­ship with the Music Rights Awareness Foundation (co-​founded by Björn Ulvaeus, Max Martin and Niclas Molinder).

The offi­cial launch of CLIP took place at WIPO HQ in Geneva on 17 November 2023, in pres­ence of WIPO Director General Daren Tang and ABBA super­star Björn Ulvaeus. 

The ini­tial release of CLIP focus­es on the music indus­try. This inno­v­a­tive online plat­form aims to pro­vide users from around the world with insights into the music indus­try’s ecosys­tem, the var­i­ous indi­vid­u­als involved in bring­ing a song to mar­ket, and the com­plex­i­ties of music cre­ator rights and their man­age­ment. […]
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⚠️ Canada tightens its regulations on ivory

CITES logoThe Government of Canada has announced the entry into force, as of 8 January 2024, of stricter mea­sures for any­one enter­ing Canada with a musi­cal instru­ment con­tain­ing ivory. 

According to the infor­ma­tion pro­vid­ed on this page, a Canadian CITES cer­tifi­cate will be required, includ­ing when an MIC has already been issued by anoth­er CITES Member State.

Romania | Self-​employed workers victims of anti-​union law

FAIR-Mediasind logoHow far will Romania go with its anti-​union pol­i­cy? The ques­tion is asked as the Romanian Parliament has just adopt­ed, on November 16, 2023, a law reserv­ing for asso­ci­a­tions (not unions) the right to con­clude col­lec­tive agree­ments for self-​employed workers.

Until 2022, the law did not allow inde­pen­dent work­ers to be rep­re­sent­ed col­lec­tive­ly to defend their pro­fes­sion­al inter­ests. Faced with pres­sure exert­ed in par­tic­u­lar by the European Commission, the Romanian gov­ern­ment was forced to reverse this clear vio­la­tion of the right to free­dom of association.

This same gov­ern­ment then rushed to issue an order spec­i­fy­ing the nature of the organ­i­sa­tions engaged in social dia­logue on behalf of the self-​employed. […]
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EU | Towards a directive on the working conditions of artists

EU Parliament logoOn November 21, 2023, the European Parliament adopt­ed by a com­fort­able major­i­ty of 433 votes to 100 and 99 absten­tions, the leg­isla­tive ini­tia­tive report for an EU frame­work for the social and pro­fes­sion­al sit­u­a­tion of artists and work­ers in the cul­tur­al and cre­ative sec­tors pre­sent­ed by MEPs Antonius Manders (EPP, Netherlands) and Domènec Ruiz Devesa (S&D, Spain).

In the past, the European Parliament has often lament­ed the pre­car­i­ous social con­di­tions of European artists and the lack of ade­quate social pro­tec­tion, par­tic­u­lar­ly for pro­fes­sion­als with high mobil­i­ty. For the first time in its his­to­ry, it has just asked the European Commission to cre­ate a bind­ing leg­isla­tive frame­work in order to improve the work­ing con­di­tions of artists and oth­er pro­fes­sion­als in the cul­tur­al and cre­ative sectors. […]
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An analysis of orchestral workers’ challenges, by Heather Kurzbauer

Heather Kurzbauer's bookEmployment and Vulnerabilities in the World of Orchestral Musicians is a pro­found­ly knowl­edge­able and provoca­tive book penned by a ver­sa­tile schol­ar who com­bines the roles of law pro­fes­sor, music jour­nal­ist, and orches­tral vio­lin­ist. It presents the first major legal study to focus on labor rela­tions and the insti­tu­tion­al dynam­ics at play with­in orchestras.

The state sub­si­dies and phil­an­thropy that tra­di­tion­al­ly allowed orches­tras to flour­ish have great­ly dimin­ished due to recent finan­cial crises and the COVID-​19 pan­dem­ic. As in oth­er fields affect­ed by the pre­car­i­ous labor arrange­ments preva­lent in the world of work today, the employ­ees and free­lancers — in this case, the musi­cians them­selves — suf­fer the most. […]
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